THE GOLDFISH TWINS SWIM THE BIG BLUE SEA opens this weekend!
THE GOLDFISH TWINS
SWIM THE BIG BLUE SEA
is an all-new musical comedy spectacular about the values of honesty, teamwork, and reaching for your dreams. Two Fancy Fantail Goldfish find themselves in the Big Blue Sea in an uproarious adventure with dancing crabs, magic eels, singing turtles, and all the colorful sea creatures of the Coral Gardens Reef Community, as they race to get back to fresh water.
Presented by Limecat Family Theatre
FREE GIVEAWAYS AT CURTAIN CALL!
Recommended for ages 4 and up.
Everyone must have a ticket.
Now Playing at two locations:
Saturdays:
St. Luke’s Theatre
308 W. 46th St.
(btw. 8th and 9th Ave.)
at 10:00 and 11:30
AND
Sundays:
The Actor’s Temple Theatre
339 W. 47th St.
(btw. 8th and 9th Ave.)
at 10:30 and 12:00
To buy tickets, call 212-239-6200 or visit www.Telecharge.com
Danny and Sylvia star featured in Backstage Magazine
Perfect Fit
Kimberly Faye Greenberg juggles musical theater and dresser gigs.
By Simi Horwitz
July 10, 2009
 |
For Kimberly Faye Greenberg, being a Broadway dresser while pursuing her onstage career is a perfect fit. “I’m well-organized, I can multitask, I can memorize a lot of things quickly, I can move around quickly, I get along with many personalities, and I understand the workings of a show and its etiquette,” she says.
Greenberg has worked as a dresser for seven years on a host of shows, including The Lion King and currently Billy Elliot. At the same time, she has performed in musical theater across the country. At the moment, she is starring Off-Broadway in the two-hander Danny and Sylvia: The Danny Kaye Musical, with book and lyrics by Robert McElwaine and music by Bob Bain.
The Long Beach, Calif., native insists the juggling hasn’t been all that difficult, mostly because she knows her priorities. “I’m an actor first,” she says, and dressing is worked around her performances. On Danny and Sylvia it’s relatively easy, as she has only four shows per week: three matinees (Wednesday, Saturday, and Sunday) and a Saturday evening performance. Greenberg is a “swing” dresser, meaning she substitutes for other dressers when they can’t make it. She also does “day work.”
“It’s preparing the costumes before performances,” she explains. “I check the clothes and shoes to make sure there are no rips. During the week, I may do day work at Billy Elliot from 1 to 5. On Sunday morning, day work is from 9 to 12:30.” To her knowledge, she is the only dresser who is also a working actor.
Even more striking, “Being a dresser has not stood in the way of my being seriously considered for some of the shows I’ve dressed,” she points out. “I may not have gotten the roles, but being a dresser had nothing to do with it. I’m known, I’m trusted, and I’m liked.” Greenberg has even participated in Broadway Cares/Equity Fights AIDS events including the Easter Bonnet competitions, singing and dancing on stage alongside the Broadway cast for whom she worked as a dresser. “I’ve sung solos at these events,” she says, speculating she may be the only dresser who has done so.
Dressing Up
Greenberg showed an aptitude for “dressing” early on. During a summer break from the University of California, Irvine, where she was majoring in musical theater, she worked as an intern at Sacramento Music Circus. Within short order she had moved up the ranks to dresser and then wardrobe supervisor. A few years later, when she was living in New York, Greenberg bumped into one of the dressers she had supervised, and he got her a job. “If I had not run into him, I don’t think I’d be a dresser today,” she says.
Greenberg’s first dressing gig was The Lion King, which she calls baptism by fire because of its scale and complexity. Approximately 15 dressers work simultaneously backstage. Greenberg says their steps are so planned and precise, the action resembles a highly choreographic dance. (See the July 2 Back Stage profile of actor Jill Paice, who describes the art of quick changes in Broadway’s 39 Steps.) A dresser is always prepared for contingencies, carrying a needle, thread, and scissors at all times. “There are occasions when an actor has to be cut out of a costume,” says Greenberg. The Lion King, for example, offered further challenges due to the large pieces of scenery swinging on and off the stage. On that show, Greenberg sustained a serious injury that required surgery and physical therapy.
On any show, a swing has to learn the “track” of the dresser for whom she’s subbing. “These are notes that take the dresser from point A to point B to the end of the show,” Greenberg says. The more complex the show, the more important it is for the swing to trail after the dresser while she’s working, and perhaps even do a dry run with the dresser on hand, before taking on the job solo. The amount of preparation is often dependent on the lead time a swing has, the size of the show, and the swing’s experience backstage.
Greenberg became a member of IATSE before joining the actors’ unions. She is now a member of Equity and AFTRA.
An Actor First and Foremost
At the moment, Greenberg’s thoughts are centered on the challenges of playing Sylvia Fine, Danny Kaye’s wife. Without impersonating Fine, Greenberg hopes she has captured her essence. “I couldn’t imitate her even if I wanted to,” says the actor. “There isn’t enough video on her. I read a couple of Danny Kaye biographies and gleaned some information about her. She was a businesswoman and wore the pants in that family. Still, she was a very private person.” Greenberg feels that Fine has to be understood within the context of her era, and though Fine may have seemed unpleasantly aggressive, Greenberg remains convinced Fine was driven on behalf of Kaye because she truly loved him. “I want to show her human side,” the actor says.
Coincidentally, Greenberg’s dresser at Danny and Sylvia is an aspiring actor, and Greenberg couldn’t be more pleased to serve as a mentor. Being a dresser has helped her understand a dresser’s needs and concerns. She appreciates their hard work and does not treat them as ill-regarded servants. Indeed, she has a renewed respect for all the players in a production, and, most important, working backstage has put the entire world of show business in a broader perspective. On the one hand, she sees dressing as a day job, “as cool as it may be.” On the other hand, she sees her dream job—starring in a musical on Broadway—in a more tempered light, too.
“A lot of the glow has worn off,” she says. “It’s the job I aspire to, but it’s a job, with its good points and bad points. I approach auditioning differently now. The desperation is gone, and that’s not because I have a job. Ideally, I wouldn’t have to be a dresser. But I now have a more realistic view of the performing-arts world as a whole. I understand it’s a business. It’s called show business.”
“Danny and Sylvia: The Danny Kaye Musical” has an open-ended run at St. Luke’s Theatre, 308 W. 46th St., NYC. Tickets: (212) 239-6200 or www.telecharge.com,
www.dannyandsylvia.com.
Danny and Sylvia: The Danny Kaye Musical is a HIT!
photo by Carol Rosegg
Brian Childers and Kimberly Faye Greenberg
Danny and Sylvia: The Danny Kaye Musical is playing to houses at 90% capacity and the press is raving about
Off-Broadway’s new hit musical!
Performances: Wed, Sat & Sunday at 2 PM
and Saturdays at 8 PM.
Tickets $59.50 & $31.50 via www.telecharge.com
or (212) 239-6200.
What the critics are saying about
“DANNY AND SYLVIA: THE DANNY KAYE MUSICAL”
“The popular, versatile comic entertainer Danny Kaye, and his wife, the songwriter Sylvia Fine, are profiled in a delightful off-Broadway musical called “Danny and Sylvia: The Danny Kaye Musical,” now on view at St. Luke’s Theatre. Childers seems tireless as he sings, dances and leaps about the stage, skillfully recreating Kaye’s clownish personality, complete with flamboyant hand motions, zany physical actions and quick wit. He easily executes the crazy accents and impromptu gibberish, as well as the fast-paced lyrics for which Kaye was famous.
Notable examples are his rendition of the Weill/Gershwin tongue-twister “Tchaikowsky,” in which he rattles off the names of dozens of similar-sounding Russian composers, and his audience-rousing version of “Minnie the Moocher.”
Sylvia is nimbly portrayed by Kimberly Faye Greenberg as loving, yet with a ruthless edge. Greenberg sings beautifully, conveying Fine’s love for the mostly undisciplined Kaye along with her astute, apparently sharklike business aptitude.
Somehow director Pamela Hall keeps it all in check and moving along smoothly.
This musical is an enjoyable look back at Kaye’s unique abilities, and an excellent showcase for the talented Greenberg and Childers.”
–Jennifer Farrar, NEW YORK TIMES/ASSOCIATED PRESS
“Watch those limbs!!! Brian Childers’ physicality is so like Kaye’s it’s a see-it-to-believe-it experience. Childers can dive into gibberish and do accents like Sid Caesar; he gambols, pivots, yelps, frolics, leaps, squeaks, and giggles. He acts, too. He’s a charmer. Enjoy Childers, whether leading the audience in singing Cab Calloway’s “Minnie the Moocher,” prancing through Fine’s still-fine “Anatole of Paris” or drilling through “Tchaikovsky”. Kimberly Faye Greenberg not only resembles Fine, she radiates her fearlessness. Greenberg reveals heart beneath Fine’s heartlessness plus compassion for her comic-savant husband.”
–Leonard Jacobs, BACKSTAGE
“DANNY AND SYLVIA is an entertaining evening. Fueled by the talents of its two stars, it’s a smoothly paced revue that doesn’t bog itself down with heave does of exposition. Bob Bain and Robert McElwaine have written a very good score that also includes some of Kaye’s most memorable performances. Brian Childers portrays Danny Kaye with loving care and exquisite attention to vocal and physical detail. His impersonation of Kaye is simply uncanny and his spectacular dead-on rendition of “Minnie the Moocher” is a memorable highlight. Kimberly Faye Greenberg has a strong comedic presence as songwriter Sylvia Fine, Kaye’s creative partner and eventual spouse and is an excellent match for Childers. Pamela Hall directs the script sweetly and Gene Castle has done a great job bringing Kaye’s choreography to the stage. Fans of Danny Kaye will not be disappointed with this production. It’s a pleasure to see Brian Childers portray him.”
–Jason S. Grossman, NYTHEATRE.COM
“Childers and Greenberg have good stage chemistry and both belt out the songs with gusto. Childers is at his best singing Kurt Weill’s and Ira Gershwin’s “Tchaikovsky,” a tongue-twisting litany of 58 Russian composers sung in a breakneck 38 seconds.”
–CURTAIN UP
“The life of Danny Kaye is a whopper of a story.”
–John Simon, BLOOMBERG
“DANNY AND SYLVIA” is a heartfelt tribute to the well-known comedian and the significant contribution of his lesser-known wife. We get to see some of the brilliance that made Kaye a star of stage, screen and TV. Watching Brian Childers bring Kaye to life, you get the sense his style may have influenced the Monty Python crew and certainly influenced Nathan Lane.”
–Paul Cozby, ABOUT.COM
“Danny Kaye fans will love Brian Childers’ recreation of the ‘Tummler’.”
–Merle Exit, MERLE’S WHIRLS
“Danny and Sylvia: The Danny Kaye Musical is a little jewel. The production is a triumph of casting with Brian Childers as Danny Kaye. Mr. Childers received the 2002 Helen Hayes Award for “Outstanding Leading Actor in a Musical” and the Mary Godwater Award for his performance as Danny Kaye in Danny and Sylvia: A Musical Love Story. Understandably there are more awards attached to his name and we at Arts & Leisure News Service add their name to the accolades for his performance in Danny and Sylvia: The Danny Kaye Musical.”
–Joyce Hauser, ARTS & LEISURE NEWS SERVICE
“Brian Childers flawlessly achieves the reincarnation of Danny Kaye in his high-energy fluency and physical commitment to the role. He not only captured the character in song and dance, but also used the play’s sporadic narrative to engage the audience and add depth to what we already know about the famous showman.
Playing Sylvia Fine, Kaye’s steadfast and loving wife, Kimberly Faye Greenberg shone as the playful yet disciplined backbone to Danny Kaye’s funnyman routines. Fine was also the creator of some of his most renowned material.
By the finale it is clear why the world quickly embraced the tongue-twister master and all-around performer that was Danny Kaye. Danny and Sylvia: The Danny Kaye Musical is a great evening off-Broadway and will have you singing those fabulous Danny Kaye songs for weeks to come.”
— Alyssa Lettman, Best of Off-Broadway.com
For more information, visit: www.dannyandsylvia.com
Danny and Sylvia: The Danny Kaye Musical to start previews May 6
photo by Carol Rosegg
Brian Childers and Kimberly Faye Greenberg
Danny and Sylvia:
The Danny Kaye Musical
A new musical love story, with book and lyrics by Robert McElwaine and music by Bob Bain, stars Helen Hayes Award-winner Brian Childers as Danny Kaye and Kimberly Faye Greenberg as his wife and creative partner, Sylvia Fine who wrote many of his most famous songs.
Directed by Pamela Hall with choreography by Gene Castle, the musical follows the duo from the time the young undisciplined comic Danny Kaminsky meets aspiring songwriter Sylvia Fine at an audition in the 1930s. Under Sylvia’s guidance as mentor, manager and eventually, wife, Kaye rises from improvisational comic to international film star. The musical explores their inspired collaboration and the romance and conflict that made them such a volatile and successful couple. Many of Danny’s hit songs are featured including “Tchaikovsky,” “Anatole of Paris,” “Minnie the Moocher” and “Deena.” www.dannyandsylvia.com
Previews begin May 6; Opens May 13.
Performances: Wed, Sat & Sunday at 2 PM
and Saturdays at 8 PM.
Tickets $56.50 & $31.50 via www.telecharge.com
or (212) 239-6200.
Brian Childers as Danny Kaye
From Gabe Erem at GABETODAY.blogspot.com
Lansky & Madoff: Don’t be so quick to judge!
Mike Burstyn as Meyer Lansky
Lansky in Jerusalem in 1971Tonight I had an amazing experience. I spent the evening with Meyer Lansky.
Actually, I went to see a brilliantly acted one man show by the superbly talented Mike Burstyn currently running off-Broadway at the St. Luke’s Theatre (308West 46th Street in Manhattan).
Until tonight, I thought that I knew all about the legendary Lansky (whom I actually met in person while in Israel back in 1971).
Tonight I left the theatre with the feeling, that I have gotten to know Lansky up close and personal.
To most people Lansky is really an enigma- wrapped in a riddle.
…Somehow the misdirected collective Jewish shame now equates the financial gangster Madoff with the gentleman gangster Lansky.
There is a fundamental difference: while Madoff engaged in remorseless large- scale thievery, grabbing indiscriminately from rich and poor without regard to the devastating consequences, Lansky always helped others- whether individuals down on their luck of the US at war- so drawing parallells between these diametrically opposed characters in simplistic and darn right silly.
I highly recommend Mike Burstyn’s remarkable one man performance to those who want to get a once in a lifetime chance to get to know the complex personality that is Meyer Lansky.
It is well worth your time!
“Lansky” now playing!
or call 212-239-6200
Lansky, The Story of the Brains Behind the Mob is the American premiere of a new play about Meyer Lansky, the infamous ganster and gambler and complicated man who masterminded some of the most ingenious wealth managenent systems for his gangland brethren. And, like so many ambitious first generation Americans had to wonder if his ill-gotten gains were going to send him to hell or up the river. The play also deals with Lansky’s little-known efforts to become an Israeli citizen and uses his life story as a crucible to explore Jewish identity and the choices first-generation Americans made in order to achieve wealth and success.
This tour-de-force stars the legendary American and Israeli star Mike Burstyn who was recently seen in New York in On 2nd Avenue, for which he received his second Drama Desk nomination. Mr. Burstyn has been acclaimed on and off Broadway in Barnum, Jolson, and The Tale of the Allergist’s Wife and is the recipient of 3 Israeli “Oscars.”
The play is directed by Joseph Bologna who is best known for his classic comedies such as Made For Each Other and Lovers & Other Strangers written with his wife, Renee Taylor (Mom on TV’s “The Nanny”).
Previous Post
The Tortoise and The Hare’s Holiday Hoop-la! (A Family Musical) |
|||||
 |
|||||
|
Zombie Joe Takes New York by Storm
St. Luke’s Theatre introduced New York City to Zombie Joe’s Underground Theatre and now is proud to announce their next show at The Players Theatre called Urban Death.
Click on the link below to watch a promo video for Urban Death.
http://gallery.me.com/msgouros#100114
If you haven’t seen it yet, Dusty Wright’s Culture Catch recommends you get your tickets “The Masque of the Red Death…” at St. Luke’s Theatre NOW!
Something Wicked This Way Comes…
September 21, 2008 – 23:54 — C. Jefferson Thom
“Edgar Allan Poe’s Masque of the Red Death & The Tell-Tale Heart & The Bells”
“A strange wind has blown us a dark delicacy from Los Angeles in the form of Zombie Joe’s Underground Theatre Group. Breaking more than the fourth wall, this staged adaptation of Poe, currently playing at The St. Luke’s Theatre, is a welcomed change from the norm.”
To read the entire review, CLICK HERE.
The New York Times and Time Out NY love The Masque of the Red Death
Members of Zombie Joe’s Underground Theater Group in "The Masque of the Red Death," at St. Luke’s Theater.
Congratulations to Zombie Joe’s Underground Theatre for the wonderful review in the New York Times and for being chosen as a Critic’s Pick in Time Out NY!
To read the New York Times review, CLICK HERE.
CLICK HERE for the review in Time Out NY.
And to watch Time Out’s Adam Feldman discuss the show on his weekly vlog, CLICK HERE.
